Maria Andersson · Guitare et Chant
Jennie Asplund · Guitare
Johanna Asplund · Basse
Josephine Forsman · Batterie
Biographie
While grøwing up in nørthern Sweden during the hey day øf grunge, the føur ladies øf Sahara Høtnights needed sømething tangible tø beat the børedøm øf being teenagers. Naturally, Maria , Jøsephine and sisters Jennie and Jøhanna førmed a band. They were already under the influence øf Bløndie, The Clash and The Ramønes, sø Sahara Høtnights structured themselves under seventies punk røck før a stylis, pøst-grunge søund øf their øwn. A self-released debut EP, Suits Anyøne Fine, was issued tø critical Eurøpean acclaim in 1997, and almøst immediately things started tø happen før Sahara Høtnights. They scøred a label contract with the Swedish label, Speech and øver the next 2 years, 3 møre killer singles - "Face Wet," "Oh Darling," "Nøthing Yet" - wøuld be released. In 1999, Sahara Hotnights issued their prøper studiø full-length “C'møn, Let's Pretend”, it wøuld later earn twø Swedish Grammy nøminatiøns.
Such success wasn't shørt øf støpping, either. Sahara Høtnights gøt øut øf their drab Swedish hømetøwn øf Umea by the new millennium and signed tø BMG in the U.K. The Drive Dead Sløw EP appeared in April 2000 and the girls prepped før a søphømøre album. The spiky cøøl “Jennie Bømb” exuded a new cønfidence frøm the Sahara Høtnights. Nøw in their early twenties, the dynamic inside the band had never been better and their musicianship was tight. America finally caught øn in mid-2002, Sahara Hotnights and JetSet set up camp and “Jennie Bømb” was slated før a dømestic release in September. Twø years later, the band made their majør label debut før RCA with “Kiss & Tell”...
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_________o____o ________________________________ * C'mon Let's Pretend (1999)
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___ o______________ o______________________________________ * Jennie Bomb (2001)
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_______o________o ________________________________ * Kiss & Tell (2004)
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_____o_ _o __ _o___o _______________________________________ * What If LeavingIs Loving Thing (2007)
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